Licentiate of Philosophy, Independent Researcher.
Social Science, Economics, Games.
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- Item A: Experiment 1 and Experiment 2, with Populist Sample.
- Item B: Experiment 3, with Max Ernst sample
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Transitions in Art
Item A: Experiment 1 and Experiment 2, with Populist Sample.
Experiment 1: Art-history sample -> Vladimir Tatlin styled Constructivism.
Experiment 2: Art-history sample -> Max Ernst styled Dadaism.
Populist Sample:
- The Great Wave of Kanagawa,
- Red Fuji, Ladder of Divine Ascent,
- The Tower of Babel,
- The School of Athens,
- Napoleon I on His Imperial Throne,
- The Roses of Heliogabalus
Keywords
- Artist X Constructivist painting of
- Artist X painting of
- Artist X Constructivist interpretation of
The Special Case
A mechanical special case consistent with Experiment 1 and Experiment 2, would have required the samples of Experiment 3 (& 4) to be proper subsets of the initial. Likewise, a subset of the output has not been presented, and editing has been carried out manually. This imperfection induces the sensation of an art collection proper, with emphasis on the human side of co-creation.
Item B: Experiment 3, with Max Ernst sample
Max Ernst Sample
- Habakuk
- Trophy Hypertrophied
- Little Machine Constructed by Minimax Dadamax in Person
- The Virgin Spanking the Christ Child before Three Witnesses
- Forest Bird [2]
- The Entire City
- The Eye of Silence
Keywords
- Vladimir Tatlin Constructivist painting of
- Vladimir Tatlin Constructivist painting of *** by Max Ernst[1]
- Vladimir Tatlin painting of
- Vladimir Tatlin painting of *** by Max Ernst
- Vladimir Tatlin Constructivist interpretation of
[1] Download Error on first awesome trial
[2] Emphasis on ‘*** by Max Ernst’ on Forest Bird, The Entire City and The Eye of Silence
Scientific Outlook 